On large projects like this, the most in-demand time is for the render farm. After all, can’t the filmmakers just make the change on the CG side of the equation? It often seems counter-intuitive that a film project – where the entire world is rendered in a computer – would need a colorist. In Part 1 of this series, we deconstructed the job of a colorist when working on an animated short film. Part 2: Learning to love (and use) Savers & Loaders The difference is just the color palettes you’ll have to use and if you’re working for a big company, you might need to deal with more visual effects.Tutorials / Color Grading An Animated Film / Color Grading An Animated Short Film – Speeding Up The Fusion Composition Series ConclusionĬreating a fantasy look isn’t really that different from color grading other films. Do it with other adjustments like contrast, temp, etc. In this way, you’ll discover things that may add to the look you’re creating. If you think the saturation is already perfect, try pumping it more until it feels gross. For example, you’re adjusting your saturation. One of the strategies you can use is to simply exaggerate the part you’re adjusting. If you are the director would you hire yourself if all you know is to recreate other people’s works? I don’t like to be the guy to teach you how to copy other people’s grades and adjust from them because that would be too lazy. I’m sure that there are a lot of strategies, color grading techniques, and color palettes for films that haven’t been discovered. They only have a blank canvas and a paintbrush. They don’t have Udemy courses back then to tell them what was right and wrong. Famous painters discovered different amazing painting styles by experimenting. Films have their own language and what might seem reasonable in real life won’t be the same in films. I use the stills or the films to see the industry standards and create my grade around them. I don’t call them references because I don’t really reference my grade to them. Have different color grading inspirations Correct them in terms of contrast and saturation but you don’t need to remove the colors. If you have this kind of scene where there are lights with random colors, you don’t have to make it neutral before grading. This is a beginner’s mistake so I’ll include this here. Second, if suddenly the director or the cinematographer asks you to remove the overcast, you have nothing to show but a black-and-white version. Thus, it’s difficult to match the scenes perfectly. 1st is because it won’t have the same depth as the scenes without the overcast. You might think that it’s ok to simply desaturate the image and add the overcast. No matter if the final look has a lot of overcasts, don’t skip color correction Just don’t be tricked into thinking that you have to pump your saturation just because it’s a fantasy look. Harry Potter and the Sorcerer’s Stone still’s Vectorscopeīut, looking at the vectorscope, it’s clear that this image isn’t that saturated. If you’re going to look at the still above, you might think that it’s saturated because of the number of colors that are slapping your eyes. Harry Potter and the Sorcerer’s Stone still The reason why it feels saturated is because of the color separation the colorists create. It’s not always saturatedĪfter obsessively studying different looks, I learned that most fantasy films aren’t really saturated. General Tips for Creating a Fantasy LookĬreating a fantasy look can be quite deceiving so here are tips I can give you. Since I was thinking of Jack The Giant Slayer and Rings of Power, I created something that will fit the same genre. It’s not so blue but it suggests mystery and danger. I’ve never seen this kind of look and it gives a different emotion than the previous look. However, I wanted to create something more unique that if it’s a real film, it can be considered that film’s brand. At this point, I could’ve just added sharpness and Film Grain and this could’ve passed as a Fantasy Forest Look. This is after doing some corrections and adding two Gradient Power Windows to add that bluish-green look. If I was going for the ‘ House of the Dragon‘ look, this would’ve been very quick. The Log footage is suggesting a dark and moody look, which I really love, but I wasn’t going for that. In grading this clip I had ‘ Jack The Giant Slayer’ and ‘ Lord of the Rings: Rings of Power‘ in mind. Waterfalls Fantasy Look Real-time Color Grading Video
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